Friday, February 14, 2025

BOOK REVIEWS


What A Carve Up! by Jonathan Coe




I bought P a Kindle for Christmas and he has since become a massive fan of Jonathan Coe. He's read The Proof Of My Innocence, Bournville, Middle England and is halfway through What A Carve Up! However, one of his friends, by pure coincidence, bought him the last book on that list in paperback for his birthday, just after Christmas, so he didn't read that one on his Kindle. Therefore, I decided to download it onto my own Kindle and read it at the same time as he did, and I'm very glad I did.
        I hadn't read any Jonathan Coe before, except for bits of The Rotters Club, and I was surprised by how good it was, particularly as it one of his earlier novels and apparently he is not entirely happy with it himself. Spanning a long period from the Second World War to the 1990s, it is a kind of family drama, in that the story revolves round the lives of the obscenely rich and powerful Winshaw family. A family of mostlyself-centred, greedy, power-crazed psychopaths, with only one or two redeeming members, the Winshaws embody all the worst traits of the ruling classes of the 1980s [and of all ages, really]. Between them, they have footholds in all the areas of life that influence and exploit society and enrich themselves - they are bankers, newspaper columnists, politicians, arms dealers, agricultural innovators, stock-brokers. They are mostly disgusting, morally bankrupt and entirely without remorse. 
        Unlike a more conventional family drama, Coe uses the Winshaws to satirise the upper classes, often mercilessly. The novel is saved from becoming simply a horrifying polemic, a history lesson, a reminder of how the world works, firstly by its black humour and secondly by its central narrator, Michael Owen, who is writing a biography of this unpleasant family. There is a specific mystery at the heart of this story - Tabitha Winshaw's belief that her eldest brother, Lawrence, murdered her beloved brother Godfrey during the war. Tabitha is quickly assumed to be insane and incarcerated in an asylum on the Yorkshire moors, from where she employs an eccentric private detective and arranges the hiring of Michael as her family's biographer. Michael's own story is poignant and beautifully written, but frequently extremely funny. I was reading a particular section in bed one night, a section in which Michael tries to write a fictional sex scene, and I got so hysterical with uncontrollable laughter that I woke P up. Michael is also a tragic figure in some ways and the novel is frequently moving.
        This is not a novel for those who like their stories to start at the beginning and progress chonologically. It jumps around time with very little warning, and Coe is a master of inter-textuality, using diary extracts, lists, newspaper articles, TV interviews, Michael's childhood stories, etc. He also uses lots of different genres, from hospital drama to slapstick to action-adventure to romance, but usually with a distinct flavour of the blackest satire. I found myself drawn into the story very quickly. Coe is a gifted novelist but not necessarily an easy one, but his clever and unusual plotting made me want to read on as each jump forward provided a little more of the mystery, filling in a little more of the jigsaw.

***** Highly recommended



The Maid and The Mystery Guest by Nita Prose






 These are mildly entertaining cosy mysteries, set in a New York hotel and narrated by Molly the maid. Molly is a naive narrator, probably on the autistic spectrum, but with special talents which eventually help her uncover the villain of the piece and improve her own life in the process.
        These are not realistic stories, but if you enjoy gentle fairly predictable tales, Prose's stories might well appeal to you. They are nice to read when you're feeling relaxed and don't want to have to put much effort into your reading. They are sweet and uplifting. Molly is a likeable character and there are lots of decent, kind-hearted people in the novels, alongside the baddies.

*** Worth reading if you have nothing else to do

GALLERY

 After doing very little painting during the past year, I have recently begun again. I need to get more practice and start improving again, but here are some initial daubs:



This is a picture for a birthday card for my mum:

[watercolour, acrylic pen, ink]




Below are are three versions of the same picture:


[Gouache and ink]


The following is an abstract landscape:
[gouache]


Here is another abstract pattern:
[acrylic pens]


Friday, January 31, 2025

January's Writers' Showcase: KAREN HONNOR

 Karen Honnor

I am very pleased to introduce our first showcased writer of 2025, Karen Honnor. I met Karen in the Open University Write Club group, and later collaborated with her and several other women writers [some of whom have been featured in these showcases] on an epic narrative poem. We never finished that project, but it was great fun and it was where I first discovered how talented Karen is as a poet.  She writes prose fiction, memoir and drama too! 



Karen Honnor



Biography

Karen Honnor is a poet at heart, with four poetry collections published and another in the pipeline for 2025. A primary school teacher for many years, Karen has had a lifelong passion for writing and sharing her joy in the written word with others. Like many, Karen has only found out about peri-menopause through living through it. This is a fact that she has tried to highlight through her writing, particularly in her memoir - Finding My Way - and her first poetry book - Diary of a Dizzy Peri - which have featured on radio and in magazine articles, receiving acclaim for her honest and inspiring approach. A highlight of her writing journey was leading an author talk at Paramount UK, as part of an ‘empowering women’ week in 2019.



Paramount UK - September 2019.

During 2020, Karen turned her focus to fiction and wrote the novella Unravelling - A Tale of Strength, Love and Dementia. She drew upon her first-hand experiences of losing a close relative to dementia, to bring her characters to life, writing with an empathy and warmth that connects the reader with their story.


Karen and her husband, Stuart, live in Sutton, Surrey, and plan to celebrate their 35th wedding anniversary this year with a trip to Amsterdam. She is a mother to two children, Matthew and Zoe, who are now grown-up and facing future adventures with their own partners. In her memoir, she observes that she never stops wearing the ‘mother hat’ but that the nature of that relationship shifts and changes as the years go by. A family holiday to Cornwall last year has become a treasured memory, as the children shared their favourite holiday spots with their partners and all enjoyed the sand, sea and laughter together.





Newquay family holiday - June 2024.




Her website https://www.karenhonnor.com/ includes links to all her books and also showcases her poetry and blog posts. All her books are available through Amazon, where her author page can be found https://www.amazon.co.uk/stores/author/B07SD4XXTP/about 


Following her last publication, Karen took a conscious decision to step back from writing for a while. During that time, family loss and other demands on her time became a priority but now she is looking ahead to the new year with a renewed plan for her writing. She has spent the last few months cultivating a new crop of poems and aims to let them bloom within a new book soon. Look out for further news of 'An Imposter Whispers'

Books & Links


Below are the links for all Karen's books, in the order they were written & published, along with a little information about each of them:


Finding My Way


‘Karen moves from moments of angst to zen in her account of personal discovery - written with humour and searing honesty, as she invites us to join her finding her way through motherhood, midlife and menopause. Her inspiring commentary on life as a middle-aged woman in the 21st century, has a reflective writing style that involves the reader and is a no holds barred look at modern life.’

  

https://www.amazon.co.uk/Finding-My-Way-Karen-Honnor-ebook/dp/B08ZL7V8DF?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.7dV9OItjsbJvIW31GxwsiMYOB8W2C_oph10cVHFqKsTZKsKy-bI9ODlRQzJtG4pRXouIW5Vt2GrKS1BqgoEAvRZ-t2cS9iinHuZ5xywpuQk.5zIyrQwu_45u2NEMm1sbT34MCQq071I7On2oTE4sWk8&dib_tag=AUTHOR




Diary of a Dizzy Peri: Poems and thoughts on midlife, menopause and mental health.


‘Have you ever found a secret diary tucked away in a drawer? You'd have to peek inside wouldn't you? This poetry collection starts with a diary entry which draws the reader into a hitherto secret club, at least a place that was mostly spoken about in hushed tones. This is a strange phenomena, as all women will visit this place at some point. Yet the signposts to Perimenopause are few and far between. Karen Honnor, the author of this book and Dizzy Peri in question, is aiming to join the many women who are changing this fact. Her diary of thoughts and poems arise from her experiences and emotions through midlife and menopause and its associated mental health issues. Many of the pages will mirror the experiences of others, the highs, the lows and the empowerment that comes from knowing that others too have been here.’


https://www.amazon.co.uk/Diary-Dizzy-Peri-thoughts-menopause-ebook/dp/B088DKVRCZ?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.7dV9OItjsbJvIW31GxwsiMYOB8W2C_oph10cVHFqKsTZKsKy-bI9ODlRQzJtG4pRXouIW5Vt2GrKS1BqgoEAvRZ-t2cS9iinHuZ5xywpuQk.5zIyrQwu_45u2NEMm1sbT34MCQq071I7On2oTE4sWk8&dib_tag=AUTHOR




Unravelling - A Tale of Strength, Love and Dementia.


‘Born in 1939, Doris never really knew her father. Circumstances meant that she took on much of the parent role for her younger sister, Lillian, as they grew up in the East End of London. Life may have been hard but they had each other, at least that's what Doris thought. Jump forward to her later life and she is no longer able to make sense of her everyday world. Doris looks for connections to the past as reassurance and seeks to hold onto her memories, as she battles dementia. Though she no longer knows the name of her granddaughter, the girl who draws sits by her side and listens to the memories, piecing together a life of love and strength and acceptance. This poignant tale tells of family and friendships built over several decades. As Doris recalls the different snapshots in time, they serve to reveal the personality she is losing to dementia, snapshots which come together at the end to leave a lasting impression.’


https://www.amazon.co.uk/Unravelling-Tale-Strength-Love-Dementia-ebook/dp/B08P9W95ML?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.7dV9OItjsbJvIW31GxwsiMYOB8W2C_oph10cVHFqKsTZKsKy-bI9ODlRQzJtG4pRXouIW5Vt2GrKS1BqgoEAvRZ-t2cS9iinHuZ5xywpuQk.5zIyrQwu_45u2NEMm1sbT34MCQq071I7On2oTE4sWk8&dib_tag=AUTHOR



Click and Connect - A Collection of Hope


‘This is a little book of hope and connection. "Playing with words" is a phrase that Karen Honnor uses to describe her relationship with the writing process. Here, she has collected together her words in various forms, to inspire and make connections with readers, at a time when we all need positive moments and support from each other.’


https://www.amazon.co.uk/Click-Connect-collection-Karen-Honnor-ebook/dp/B08XK6DVNG?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.7dV9OItjsbJvIW31GxwsiMYOB8W2C_oph10cVHFqKsTZKsKy-bI9ODlRQzJtG4pRXouIW5Vt2GrKS1BqgoEAvRZ-t2cS9iinHuZ5xywpuQk.5zIyrQwu_45u2NEMm1sbT34MCQq071I7On2oTE4sWk8&dib_tag=AUTHOR



Polaroids and Petals


‘From childhood holidays to raising glasses in laughter with friends, our treasured memories help us to make sense of our lives.


Polaroids and Petals, Karen's third poetry collection, has a thread of nostalgia running through it, which invites us to value what truly matters to us. Karen's accessible poetry shines a light on such precious moments and the feelings they evoke. This collection will lift your day and bring a smile as Karen shares her 'Polaroid moments.'


https://www.amazon.co.uk/Polaroids-Petals-Karen-Honnor-ebook/dp/B099QV9MCY?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.7dV9OItjsbJvIW31GxwsiMYOB8W2C_oph10cVHFqKsTZKsKy-bI9ODlRQzJtG4pRXouIW5Vt2GrKS1BqgoEAvRZ-t2cS9iinHuZ5xywpuQk.5zIyrQwu_45u2NEMm1sbT34MCQq071I7On2oTE4sWk8&dib_tag=AUTHOR


Just Take Five - A Contemporary Poetry Collection


‘Poetry for any mood - A classic coffee table read for those moments of rest in a hectic world. Karen Honnor uses anecdotal poetry to heal the soul of those daily struggles. With poems that invite reflection, a laugh, or a tear, this emotional collection takes the reader on an inspirational journey through its five themes of creativity, nature, time, community and self-discovery. Karen's words weave together the connections that we make in life. The perfect read for when you find the time to Just Take Five.’


https://www.amazon.co.uk/Just-Take-Five-Contemporary-Collection-ebook/dp/B0BGJRSWJK?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.7dV9OItjsbJvIW31GxwsiMYOB8W2C_oph10cVHFqKsTZKsKy-bI9ODlRQzJtG4pRXouIW5Vt2GrKS1BqgoEAvRZ-t2cS9iinHuZ5xywpuQk.5zIyrQwu_45u2NEMm1sbT34MCQq071I7On2oTE4sWk8&dib_tag=AUTHOR










******


Karen has sent us an excerpt from her novella Unravelling, and several poems from different collections.  She has kindly included some contextual information. Enjoy!



***

Excerpt from

Unravelling - A Tale of Strength, Love and Dementia.



Chapter 1

Just the ticket



Lucy brushed a tear from her cheek and allowed her gaze to focus through the blur onto the well-thumbed slice of the past that she was holding. Just a simple bus ticket. Insignificant at first glance and easy to discard as so many of its kind would have been in days gone by. Casually thrown away at the end of a mundane journey but this one was different, well it was to Doris.

A half-grin formed as Lucy recalled the day she had retrieved this. The vultures had already picked over the china and trinkets but you cannot put a price on all that is precious. Crouched in a corner of her Gran’s dusty attic, Lucy had discovered the tin of random oddments, protected all these years by nostalgia and sentiment. It would have been so easy for this to have been scooped up with all the other scattered memories due to be cast aside during the house clearance. But Lucy sensed its significance. 

Most people had stopped listening to Doris once she had been confined to the nursing home as her conversation lost its thread and her thoughts fox-trotted around. Not Lucy. She loved her Gran’s stories and amongst their confused dance there was the sparkle of an odd gem of truth. At those moments the gentle pools of her gran’s greying, blue eyes invited Lucy in. Just as a spool of old movie footage reveals a scene clicking frame by frame, she caught glimpses of the girl her gran used to be. Doris in her dancing days, in whirling petticoats with tumbling sandy brown locks catching the light as her feet marked the beat.

The rush of young love with a gaze exchanged across the dance floor may have become a faded memory for Doris but the tale of how they met, dodged the raindrops and held hands to take the bus ride home together, was her favourite to recall. In her rocking chair, crocheted blanket upon her knee and Lucy’s wondrous ‘treasure box find’ placed beside a tray of tea, Doris was now content. The broken connections of life’s confusion that usually frustrated Doris were strangely calm this afternoon. Lucy saw this peace reflected in the window pane’s rivulets of rain. 

With a determined effort Doris pressed the ticket into Lucy’s palm, clasped her hand tight and returned her focus to the rain.

“Goodnight, sweetheart…”


 ***


An excerpt from

Click and Connect

This collection was written during times of lockdown and concern about the effects of the pandemic. The excerpt below highlights one poem that I am particularly proud of.


There have been many nights this past year when it has been hard to fall asleep. Once I switched from teacher to writer in 2018, I feel as though the writing switch in my brain has been stuck permanently on – phrases percolate within my mind, often disconnected from what I am doing. It is perhaps hardly surprising that instead of drifting off to sleep, the quiet of a dark bedroom beckons such phrases to dance about with more excitement. Some nights these phrases take quite a while to calm down and those are the nights when I usually get my best writing ideas.

This poem began on one of those nights. It contains many nostalgic references to my grandparents, for it started with a sudden vivid picture in my mind of their flat and our childhood visits to it. 

Billy is a fiction, a flight of poetic fancy. But he represents all those who are struggling to make sense of this altered life we are all having to live now. He is the embodiment of my relief that my father is not still struggling with his dementia during this pandemic. He too lived in the flat the poem describes, on the top floor with his brothers – a family of five, in four small rooms and London stretching out beneath their feet. 

 

 ***

Counting Buttons


Billy saw his grandparents

Every Thursday afternoon,

Running past the churchyard

Keen to arrive there soon.


He counted all the stone steps

On the climb to their top flat,

Always pausing half-way up,

To straighten his school hat.


He grabbed Nan’s box of buttons,

Slung his satchel on the floor,

Paused to smell his Nan’s meat pie

As he watched the teapot pour.


His Grandad chose a record

Of his favourite marching band,

And Billy held the buttons,

Turned them over in his hand.


Nan spoke about the weather

From her raindrop window seat,

Looking out across the rooftops

And the puddles on the street.


The box had many buttons,

With all sizes big and small,

Different colours, shapes and textures,

But Billy loved them all

.

His Nan cleaned the tall houses

On the other side of town,

Worked long hours and kept the home too,

Without complaint or frown.


His Grandad was a carpenter,

Told him all about the wood,

And Billy counted buttons,

And it made his world feel good.


For at school, he felt unhappy,

Counted bruises more than friends,

Didn’t understand his lessons,

Felt relieved as each day ends.


“Billy Braithwaite” said his teacher,

Though Billy never knew why,

As Billy’s mind was counting,

Counting birds fly in the sky.

         ***

Now Billy counts his buttons,

Though he only has a few,

He lines them up across his bed,

Does not have much else to do.


No-one comes to visit now,

Which he doesn’t understand,

So Billy counts his buttons

And holds them in his hand.


***


There are two poems that I mention in the questionnaire responses, so I have included them here too. ‘The Measure of a Man’ was part of my first collection Diary of a Dizzy Peri. ‘The Girl with the Candy Striped Hair’ was originally included in my last collection Just Take Five although I have put it here with the addition of a sequel part which will appear in my new book, An Imposter Whispers, to be published in 2025, so in that regard, I guess this is an exclusive - a look at what is yet to come.



***

The Measure of a Man

 

How do you start and where do you look

To find the measure of a man?

Not his height or weight

But the mark he made in his lifespan?

 

The figures in his bank account,

The steps of a career,

The hours of time invested,

His hopes, his dreams, his fears?

 

Is it the races that he ran?

The wit of jokes he made,

The years of marriage that he shared,

The sacrifices paid?

 

The wisdom of experience,

The views that he has seen,

The games played with his children,

The places he has been?

 

How do you hope to catch it all?

Hold the details if you can,

For all of them together,

Give the measure of a man.

 

 ***

 

THE GIRL WITH THE CANDY-STRIPED HAIR

 

She retreats to her room, to paint pictures - 

the girl with the candy-striped hair,

to enter the worlds of her brushstrokes,

worlds she is too shy to share.

 

Surrounded by brushes and pencils,

her comfort from struggles unseen,

the layers of care on the canvas,

cover up where she has been.

 

She feels she has little to offer

to the world of confusion outside,

and she doesn’t believe she could blossom,

such thoughts she keeps close and denied.

 

For outside her window, there’s danger,

with just a few steps, she could fall,

instead, she makes beautiful pictures

to hang, out of sight, on her wall.

 

The sunflowers and smiles that she puts on,

like character costumes to wear,

disguise her true warmth, and real beauty -

the girl with the candy-striped hair.

 

*** 

 

The poem above was written a few years ago and included in my collection Just Take Five. Time has moved on and I now feel that a sequel to this poem is needed, an update on my ‘Candy Girl.’

 

 ***

 

CANDY GIRL 

 

My ‘Candy Girl’ has blossomed,

her wings have taken flight,

she can ride her waves of doubt

and sparkle in the night.

 

The rain can still be pouring

but she can make a splash,

or listen, as the raindrops soothe,

know when to dart or dash.

 

She’s now part of her paintings

a bold colour in the scene,

and though she may still falter,

she draws strength from where she’s been.

 

It seems she’s found a soulmate

to join her on life’s ride,

when troubles lay upon the track,

he’s firmly by her side.

 

With new directions waiting - 

Which way? They soon will know,

My Candy Girl could touch the moon

if she should choose to go.

 

I marvel at the blossom

and watch her wings at flight,

I know she’ll spread her sparkle

like stardust through the night.

 

***

  

There is one more poem that I include here, from Just Take Five, for a few reasons.  Not all my poetry rhymes, something that seems to be contentious for some. My husband has discussed with me what it is that makes a poem into a poem if it doesn’t rhyme - in fact my blog post ‘Is it a crime to rhyme?’ explains this a little further: 

https://www.karenhonnor.com/post/is-it-a-crime-to-rhyme 

For others, the mere fact that a poem rhymes perhaps means that it slots into a category that may be seen as less worthy, somehow. There’s probably a whole thesis to be written in that regard, but just for good measure - here’s a non-rhyming poem of mine:

 

 ***


The Last Time

 

We seldom note the passing of our lives - 

the ‘last times’

The moments that, for so long mundane, pass by,

Shifted unseen to nostalgia - dipped memories 

that sit just out of reach,

The ordinary items that we never knew the value of

until we realise we have had them for the last time.

 

The bad joke shared on a walk with Dad,

whilst humour still stood within his grasp,

No longer here to raise his pint as I roll my eyes,

or hurry along to the next part of my day.

 

The Sunday lunch around the table

when the kids were small,

the struggle over vegetables,

the chatter with grandparents,

replaced with shifts in the kitchen,

empty place mats,

snatched calls and fleeting texts.

 

The last family holiday with the four of us

bickering here and there about what to do next

but together, all the same, to watch the sunset,

to laugh about the skimming stones and sea spray,

not knowing that such simple moments 

would become elusive,

not repeated by us all again,

one or more of us missing in the future.

 

If we knew, would we try a little harder?

Be a little kinder? 

Smile?

Listen more intently for a while?

Press pause on that ‘last time,’ just to hold it close,

let our senses register it all?

 

But the ‘last time’ doesn’t ring a warning bell,

it slips quietly through our fingers

’til we stand quite still…

 

Wonder how it happened and what is to be next,

what each turning page of time has planned,

which will carry on and which will fade,

and what will become our next

 

‘last time.

 





******




And finally we come to The Big

 Interview, in which Karen kindly

 answers writing-related 

questions and lets us into 

some of her writing secrets...


1. How old were you when you first knew you wanted to be a writer, and what set you off down that journey?

I guess from an early age I found myself writing, beyond the scope of homework and school parameters. I would find myself jotting down the odd poem that came into my head and whilst I was at secondary school I wrote a play which my English teacher saw enough merit in, to schedule time for my classmates to perform it. Looking back, I wonder how that actually happened - both from the perspective of fitting it in alongside the curriculum demands and because my debut play ‘The Dancing Murders’ was pretty lame. I guess we all start somewhere though.

        Once I had left school and embarked upon my own teaching career, I wrote plays for either the primary children to perform or for members of my community drama group that I established in 2005. Those, along with pieces of poetry, were all just a hobby though. When asked what I’d like to do if I ever won the lottery, my response became known among friends: “Give up work and move to the coast, where I could sit in a turreted writing room, looking out to sea and be inspired to write poetry and stories.”

        In 2018, circumstances led me to close my classroom door for good and give writing a serious go. At the time, I thought that I might at some point scrabble together some sort of book, if I was lucky. I had no idea quite how far I would travel on my writing journey.



2. Tell us about the books and writers that have shaped your life and your writing career.

I always find this question quite hard to pinpoint but I think specific genres have made their mark. I’ve always enjoyed reading historical fiction and murder mysteries, particularly anything based around art deco themes or the second world war. The fashion, architecture and whole atmosphere draws me in. If I have had a previous life, it was as my alter-ego Felicity - a shrewd, girl about town with invitations to all the right parties.

        There are some books that have stayed with me, especially To Kill a Mockingbird by Harper Lee. I studied this for my English Literature O Level and I recall my English teacher bringing the text to life. The imagery connected with me, perhaps because I’m a poet at heart. Certainly all my writing tends to have a descriptive nature.


3. Have your children, other family members, friends or teachers inspired any of your writing? In what way?

The adage goes ‘write what you know’ so, on that basic level, the people we know best permeate the writing process. I have written pieces that are directly about individual family members: 'The Measure of a Man', a poem written in memory of my father, a quietly determined man whose loss is too great to measure; and 'The Girl With The Candy-Striped Hair', a poem that celebrated all the potential my daughter had which she could not see at the time. I have since written a follow-up poem to this second

poem which I hope to include in a new book. 

        Beyond examples like these, I have found that family members and aspects of my everyday life permeate my writing too, often in ways that I did not set out to do. My historic novella ‘Unravelling’ was fiction but was very much shaped by my experiences of seeing my father suffering from dementia. As this was set with the main character growing up in post-war years, I gathered memories from my mother and a few of her friends as research for the background of the story. It was lovely to hear their stories as part of my research, with some nods to that appearing as little anecdotal references among my pages.

        Obviously, my memoir ‘Finding My Way’ described actual events, relationships with family and friends and was a candid reflection of where I found myself, working out how to proceed through midlife, motherhood and menopause. A friend gave me a mug with one of those quirky messages about how, as I writer, I have the power to put you in my books so to be careful what you say or do. I don’t think I have ever written anything that would upset people I know, I would be very careful to avoid that being the case, but if they have read my work, they may well recognise aspects of themselves within my writing.



4. Does the place you live have any impact on your writing? 

The main places that I like to write my initial ideas down are spaces where I can feel calm enough to let the creative process spark. Sometimes that is in a coffee shop, sometimes it’s whilst I’m walking in a local park or when I’m at home on a grey day, reminiscing about a beach day, a family party or childhood memory. Nature and nostalgia are strong threads that weave through my writing and so I think that I am happy to write wherever I can be where those threads can emerge.


5. How would you describe your own writing? 

Primarily I am a poet. I find that the best vehicle for me to explore emotions, to make connections and to record my thoughts of time, place and significant people in my life. The other writing that I have done, in my books and blog pieces, has a poetic thread in as much as it is often descriptive, bringing a scene or character to life in a way that I feel comes from being a poet.




         6. Are there certain themes that draw you to them when  

         you are writing?


I find myself coming back to four important themes in my writing: nature, time passing, childhood/nostalgia, midlife and motherhood.



7. Tell us about how you approach your writing. Are you a pantser or a planner?

I think I often feel that I am a pantser. Mostly I get a random idea and then start writing, not knowing quite where it will lead. However, having written many plays, a memoir and a novella, I have learnt to incorporate an element of planning in order for it all to be drawn together to make a cohesive whole. With my plays, I very much got into knowing the structure that I would need to follow and so I would plot out what the scenes would need to be, where characters needed to appear and reappear - but then, many of these were quite formulaic in order to meet a brief.

        Writing my novella was a complete learning curve. I started with a character description within a creative writing class, an exercise set for ten minutes by the tutor. Yet afterwards I found that this character kept circling around my head, hinting at a life that I needed to write about. I had no idea what I was doing. I went with it, exploring where my initial thoughts would go. A few chapters in and the need for a plan become very apparent. That’s when I began plotting out how the character storylines needed to develop, what their back story would be, how each would be interwoven, I even constructed an imaginary family tree to help me to envisage how it all fitted together around my protagonist. 



8. Do you have any advice for someone who might be thinking about starting to write creatively?

Just do it. That might sound too simple, but until you start to write - pen on paper or tapping on a keyboard - you don’t know where it will take you. I don’t think ideas of end products should be your goal. The main purpose needs to be to write down whatever it is that you want to say. Much of it won’t get past initial thoughts or notes, but once the writing begins to flow, then the best of it will start to form into the shape that makes sense. Whether that be a poem, a story, a blog post, whatever the end product may or may not be, the important thing is the process of writing it. That’s what I have found most rewarding, cathartic and surprising in many ways. I didn’t know that writing would unlock so much of me, process emotions and allow words that were previously unsaid to find their space.



9. Are you, or have you been in the past, a member of any writing groups, online or face-to-face? 

I joined a Creative Writing course at my local adult college in 2020. We completed most of the course before the pandemic restrictions hit. I valued being able to hear other writers’ voices and to get feedback from them and the tutor on my own ideas.



10.  If you have experience of self-publishing, what have been its challenges and rewards?  

I have self published all of my books. It was quite daunting but I was lucky to find support from other indie authors online via social media groups. I made mistakes along the way, had to learn processes and discovered a lot about my ability to persevere, when sometimes I was tempted to just press delete and walk away from it all. Yet it meant that my work was out there, publicly, in some form, and I could say - “Yes, I have written a book and it’s available here.” Now I have six titles available through Amazon - four poetry collections, a memoir and a novella. I feel that I will have to re-learn many aspects as I go ahead with publishing a further poetry collection this year, as I have had a long period away from it all, but I am determined that this year will be the right time to publish another book.



11. Where do you get your ideas from?

My writing can be sparked from a variety of inspirations - a conversation, a feeling, a walk in the park, current affairs, an object or my surroundings at a given time. I often find that I’ll get a phrase of poetry or just a fragment with a few words floating around my head. If I can’t let it go, it usually means I should grab my notebook and jot it down to see where it takes me. 



12. Beyond your family and your writing, what other things do you do? 

I was a primary school teacher for 27 years, working mainly within the early years but at different times, I have had classes from 3 - 9 year olds, as well as leading the Year 6 productions for a decade. During my teaching career, my passion for the importance of play, imagination and creativity were strong drivers. They fed into my daily practice and supported my choices of specialisms, leading the Early Years, Art and Design, Drama and Special Educational Needs.

Once I left teaching, I allowed my writing to fill my time. Alongside this though, I support family members and have time left to walk our cockapoo called Gizmo, sample different coffee shops and to do a little gardening and baking. 




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Thank you very much, Karen, for such an interesting and informative showcase. 


Karen Honnor signing books at her book launch party for Just Take Five - October 2022. 
The theme was blue to match the beautiful book cover, so kindly designed by Dreena Collins.


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In September, I will be showcasing 

another fabulous writer: 

Sharon Henderson

Not to be missed!




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So far in this series, I’ve showcased the following writers: 

Ruth Loten – March 2023

Jane Langan – March 2023

Beck Collett – April 2023

Ron Hardwick – June 2023

L.N.Hunter – July 2023

Katherine Blessan – August 2023

Jill Saudek – September 2023

Colin Johnson – October 2023

Sue Davnall – November 2023

Alain Li Wan Po – December 2023

Lily Lawson – January 2024

Philip Badger – February 2024

Glen Lee – March 2024

DHL Hewa - April 2024

Tonia Trainer - May 2024

Mike Poyzer – June 2024

Judith Worham - July 2024

Chrissie Poulter - August 2024

Adele Sullivan - September 2024

Lin De Laszlo - October 2024

Wendy Heydorn - November 2024

Elisabeth Basford - December 2024

Karen Honnor - January 2025

You can find all these showcases by scrolling back through the material on this blog.




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