Saturday, March 5, 2022

A forgotten prize-winner and an interesting experiment: Stanley Middleton


In 1974, the author Stanley Middleton won the Man Booker Prize for his novel Holiday (he was a joint winner along with Nadine Gordimer). Despite this claim to serious literary ability, I’d never heard of him before someone mentioned him on a Facebook site, but I became interested in him during a conversation about novelists from Nottingham (a city only an hour away from where I live).

According to Wikipedia, Middleton was a creative powerhouse – he was a talented church organist and a gifted water-colourist too. He wrote 45 novels, twelve of them before he wrote Holiday. His first novel was published in 1958, the last one in 2010 (a year after his death). He was an English teacher at High Pavement Grammar School in Nottingham for many years. And apparently he turned down an OBE due to believing he shouldn’t be rewarded for doing what he saw as simply his job *.  

I have never read Holiday but it was clearly sufficiently accomplished to be awarded a prestigious literary prize. This was a man of great ability, a man whose literary life was, by most people’s standards, a successful one. Yet I have never heard of him or his most famous novel, and neither have any of the people I have asked.

I tell you this because it has made me think long and hard about this weird activity in which we engage our energies, we writers.  For most of us, whether we are any good or not, and even successful and talented people like Middleton, it is an unrewarding activity, at least in terms of the way most people judge ‘rewards’. Middleton was able to publish his novels, win a Booker and be offered an OBE, but he presumably never achieved the wealth or fame of the handful of contemporary novelists most people have heard of – J.K.Rowling, Robert Harris, Terry Pratchett, etc. Now, around a decade after his death, I suspect that he is generally forgotten, except by those who knew him and those who know his books. Who knows? His reputation might be revitalised in years to come – there have been many creative artists in different fields who were quickly forgotten after their deaths but later ‘rediscovered’. But, for now, Middleton seems to be a relatively forgotten author, despite his success during his lifetime.

Writers like myself, who have had some things published but nothing that has made them any money or given them any fame, would love to achieve Middleton’s success. Forty-five published novels! A Booker Prize! An OBE! Yet most people I speak to who aren’t writers and readers (and that is, in fact, most people) would consider such success to be relatively unimpressive. More obvious worldly achievement is generally better-respected these days (and perhaps always has been) – massive wealth, a name and a face that everyone recognises, books that top the bestseller lists, novels that are picked up by Hollywood and made into movies. There are novelists who have these things even though they are dreadful writers and will probably be forgotten forever after their deaths. There are also, of course, extremely talented writers in this category of the super-successful who will be remembered fondly for many years by many people. But, in today’s publishing world, achieving Middleton’s level of quiet success is a major feat in itself – hell, getting a novel published in the first place is like winning the lottery, and having further novels published if your first one isn’t as successful as your publishers hoped is virtually an impossibility.

In 2006, The Times pulled a stunt that produced some interesting results. They circulated the first chapters of Holiday, and also of a novel by V.S.Naipaul, to numerous agents and publishing houses, presumably using false names. All rejected Naipaul’s novel, and only one agent accepted Middleton’s.  From this, we can assume that publishers in the twenty-first century have different tastes, or know that their readers have different tastes, or are simply unwilling to invest in ‘literary’ novels.

What lessons can we learn from this? Do we give up writing? Is it a pointless waste of time?  I have two thoughts. One is that, if you are a writer, you can’t stop yourself writing – writing is your greatest pleasure (which isn’t to suggest that it isn’t often difficult, painful and stressful) and a writer is who you are, published or not. Earning your living through writing is another thing entirely. The second is that we need to see the rewards of writing, just as we see the rewards of reading, as being different in kind from the rewards of, say, being a solicitor, or a surgeon, or Kim Kardashian, or the founder of Google or Amazon. The rewards are intrinsic, not instrumental. There is something inexpressible that every writer who is serious about their craft has experienced – a feeling of satisfaction in having successfully translated what existed inside your head into something that others can understand if they want to. It is nice if people read what you have written, even nicer if they enjoy it – nicer still if they take the time to tell you they enjoyed it – but, even if no one ever reads it, you still have that profound sense of having achieved something worthwhile, however flawed you feel it is.

The joy of becoming better at something you find intrinsically enjoyable is in itself one of the rewards of taking yourself seriously as a writer. And I’m not even mentioning the myriad rewards of the actual writing itself – the pleasure to be had from putting the best words in the best order, of exploring new worlds, constructing lives, creating characters, getting inside their heads, telling their stories, examining ideas and philosophies and what ifs. The act of attempting to entertain others is profoundly enjoyable. There is a therapeutic quality to writing at times – self-expression, creative contentment – and sometimes a performative element too, a showing off. Few writers are rich and famous, and in fact many barely make a living at all from their writing. Many never give up the day job. But no one would do this activity, which is hard and time-consuming and exhausting, if they didn’t get some sort of deep-seated intrinsic reward.

Some of us might manage to write the novels or stories or poems or scripts that fill our imaginations. Being published, read, performed, admired, or paid – well, that’s the icing on the cake. The sad fact is that most of us are lucky to get even the cake, but sometimes it’s enough just to smell the batter rising in the oven...

 

* https://en.wikipedia.org/wiki/Stanley_Middleton

 

 


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